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歷史建築沒有法律效力,政府帶頭破壞一級歷史建築
January 29, 2021

從四個保育案例看香港古蹟制度的敗處🗿竟然沒有法律保障歷史建築物!?


皇后碼頭/

皇后碼頭以現代主義建築形式興建而成,原是皇后像廣場的停泊處,只供香港總督及英國主要官員往返香港時使用。後來改建成皇后碼頭,價值不止是其現代主義建築,還有它作為記錄香港人集體回憶的公共空間。政府以發展為由,竟帶頭將這個一級歷史建築清拆。十三年後,至今仍沒有重建計劃。其實香港的「歷史建築」只有參考作用,沒有法律效力;「法定古蹟」才有法律保障。即使近年政府提出,被評為一級歷史建築能被接納為已列入具高度價值的建築,增加成為法定古蹟機會,但很多歷史建築因私人業權問題難以保育,最後也只能落得清拆下場,例如「同德大押」(grade III) 和「何東花園」(grade I)。

「古蹟辦」被笑稱「估即辦」,考察過程草率了事
皇都戲院/

皇都戲院已經有六十九年歷史,它作為香港昔日娛樂事業風光年代的證據,也盛載我們的集體回憶。國際保育專業組織 Docomomo International在一六年發出「文物危急警示」促請為它評級為一級歷史建築,但古蹟辦被揭發對戲院的內部改動情況不充分掌握就草率提出將戲院列為三級歷史建築的建議。先不論古蹟辦考察過程透明度之低,其中一位負責評審的學者竟說:「假若漢墓值5分,清代(建築)最多4分,咁皇都幾多分?」(bio有「活現香港」皇都戲院評級爭議懶人包的link),從這話可看出他們的想法已與現今保育方向脫節。幸好最後古諮會評定它為一級,現時被新世界發展商收購,是首個發展商主動提出的活化項目。

Queen's Pier; No legal protection for historical buildings

Built in the form of modernist architecture, its value lies in its use as a public space that records the Hong Kong people’s collective memory. The government demolished this first-class historic building for the new development scheme. In fact, Hong Kong’s "historical buildings" are only for reference and have no legal validity; only "declared monuments" have legal protection. Even though the government has proposed in recent years that historic buildings rated as Grade I can be accepted as buildings of high value which increasing the chance of becoming statutory monuments, many historic buildings are difficult to preserve due to private ownership issues, and they can only be demolished in the end.

State Theatre; ‘Antiquities and Monuments Office’ teased as ‘Assumption Making Office’ . The inspection process was regarded as hasty

It has a history of 69 years. It serves as evidence of Hong Kong's past entertainment industry and also contains our collective memories as a HKer. Docomomo International, an international conservation professional organization, issued the "Cultural Relics Emergency Warning" in 2016, urging it to be graded as a Grade I historical building. However, the AMO was revealed that it did not fully acknowledge the internal changes to the theatre and rashly proposed to list it as a Grade III historical building. It is currently being purchased by the New World Development and is the first conservation project proposed by the developer.

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MILK TEA IS THE SPIRIT OF YOUNG TEENAGER OF HONG KONG
延伸文章
香港居屋(三):要分辨房協/房署居屋?可兼具私樓的質素和實驗性?
《我港 Kongcept》批鬥大會 2021 【4/8 建築與地方:如何分辨房署和房協的居屋? @kongcept852】 關於 #我港建築 #archi_kongcept 💬// 我港為你介紹一些穿插在這城市並記錄著香港的日常建築和充滿故事性的地方,藉着探索這些空間與我們的關係,尋找建築和地方的存在價值。// 如何分辨房協和房署的居屋?房協居屋具私樓的質素和設計實驗性 相信好多人發現有時經過發現很多特別的房屋設計,既不是私樓又不像倒模般的公屋,這很大機會是房協起的居屋! 房協被稱為「房屋實驗室」,不是政府組織?/ 雖然大部居屋都是由政府的房屋署所興建,但其實有部份居屋是交由房協(香港房屋協會)去執行和管理。很多人誤以為房協是政府方,但其實他們是獨立的非牟利機構,獲政府以低於市價批出土地,興建過公屋(例如祖堯、乙明邨)和為數不少的居屋。房協一直擔當「房屋實驗室」的角色,發展及研究不同的房屋計劃。例如: 🌿香港首個環保房屋——茵怡花園 👴🏻長者房屋——樂頤居 🏗市區重建房屋——荷李活華庭 設會所、附送的家電和裝修、媲美私樓般——綠悠雅苑 房署居屋/房協居屋/公屋要如何分辨?/ 房署的居屋有與公屋相似的固定建築類型(近年因方便公居屋互換而趨向與公屋設計無異),而房協的居屋則是千變萬化,既不用像私樓般按當時建築政策去抄盡容積率,或像公屋般為追趕效率而倒模式設計,可算難得地從香港房屋找到創意和人性化的考慮。 公屋以「邨」estate 命名,房署的居屋則根據英國council housing (英國的公共房屋)以「苑」court命名,而苑內的大廈則用「閣」House命名。而房協的居屋並沒有這個限制,過往有出現過「龍濤苑」、「祈德尊新邨」、「駿發花園」、「健康村」、「寶石大廈」、「綠悠雅苑」等等。相信大家要從名分辨房協居屋是有一定的難度😂。 #我港 #kongcept
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轉角唐樓圖鑑
僅存的戰前唐樓其實一直扎根於香港的市區裡,給自己一天的時間去好好探訪這些唐樓! 我們或許不能拯救他們,但請用你的眼晴去記錄轉角唐樓的歷史吧。 1. 汝州街269及271號, 深水埗, 1920s, grade III 2. 雷生春, 荔枝角道及塘尾道交界, 太子, 1931, grade I 3. 青山道301及303號, 深水埗, 1933, non-graded 4. 北河街58號, 深水埗, 1920, grade II 5. 皇后大道西1號, 上環, 1920s, grade III 6. 史釗域道6號, 灣仔, 1920s, grade III 7. 德輔道西207號, 西營盤, 1921, grade II 8. 彌敦道190號, 尖沙咀, 1937, grade III 9. 廣東道578號, 佐敦, 1945, non-graded The only remaining pre-war corner Tong Lau are actually rooted at Hong Kong city centre. Give yourself a day to visit these them! We may not be able to preserve them all, but please use your eyes to record the history of those corner Tong Lau. 1. 269 and 271 Yu Chau Street, Sham Shui Po, 1920s, grade III 2. Lui Seng Chun, junction of Lai Chi Kok Road and Tong Mei Road, Prince Edward, 1931, grade I 3. 301 and 303 Castle Peak Road, Sham Shui Po, 1933, non-graded 4. 58 Pei Ho Street, Sham Shui Po, 1920, grade II 5. 1 Queen's Road West, Sheung Wan, 1920s, grade III 6. 6 Steward Road, Wan Chai, 1920s, grade III 7. 207 Des Voeux Road West, Sai Ying Pun, 1921, grade II 8. 190 Nathan Road, Tsim Sha Tsui, 1937, grade III 9. 578 Canton Road, Jordan, 1945, non-graded #我港 #kongcept #archi_kongcept #tonglau #hkconservation #我港建築
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新自由主義:(一)旺角天橋建二十一年背後的反思:市場化的公共建築
延期完工二十一年、連接旺角道與彌敦道的天橋終於完成,有網民笑說「羅馬鬥獸場只花了十年時間興建」,究竟一條只有一百米的天橋如何能夠拖足二十年? 新自由主義: 政府將建造的基建責任轉向私人發展商/ 你應該會感到困惑,為何一條公共行人天橋會交由新鴻基去出資、設計和建造?首先讓我們先了解天橋背後的公共政策。新自由主義可以被理解為市場化傾向的公共政策,而在香港的體現有很多方式,以下是其中幾個: 1️⃣鼓勵發展商提供「私有化公共空間」[註1],由政府提出給予發展商更多建造面積,換取所謂的「公共空間」。 斥資方:發展商 建造方:發展商 管理方:發展商 例子: 時代廣場、新城市廣場露天平台 2️⃣由政府與發展商磋商興建天橋、公共交通交匯處等基建,由發展商管理,並可獲額外建造面積。 斥資方:發展商 建造方:發展商 管理方:發展商 例子:中環天橋系統、裕民坊公共交通交匯處 3️⃣政府將公共建築項目以public-private partnership (公私營合作)方式向發展商招標,被稱為「社區工程」。 斥資方:發展商or 政府 建造方:發展商 管理方:發展商 or 政府 例子:西隧、星光大道 對政府的好處可能是:無需為基建承擔公共開支、日後的管理責任(視乎情況而定)、其他風險。並借助私人發展商的建造效率和質素提供足夠的基建供應。 市場化後的公共建築/ 回到旺角行人天橋,政府原意是想舒緩旺角街道人車爭路的問題,將整個天橋網絡交由新鴻基斥資建造,再交由政府管理。以他們持有的新世記廣場作為起點,連接到剛完成的旺角道段。天橋全程數分鐘路程,既方便了市民,發展商又可能換取到更多建造面積,吸引人流到商場裡。 公共建築原由政府興建,如工程延期,牽涉公帑,或需再經立法會審批,公眾尚存在監察權。即使由政府斥資再向私人發展商招標,或尚有周旋的空間。但今次整項工程由私人發展商斥資和建造,公眾無從中干預,而政府的角色是十分被動,亦更難以追究延期賠償,因延期只涉及工程費用脹價,不論政府或私人發展商興建也未必需要為延期作出保償。 「新自由主義」下的市場化公共政策,由基建到整個城市構劃發展,甚至建築保育像中環街市[註2]都有著深遠影響,下回再續! 如有錯漏,敬請指正🙆🏻‍♂️ [註1] 私有公共空間 [註2] 港式保育後的中環街市 攝: 楊嘉朗(旺角天橋) 延伸閱讀: 1.Defying Disappearance: Cosmopolitan Public Spaces in Hong Kong, Lisa Law 2. Hong Kong: Neoliberal heaven or neoliberal nightmare?, Priscilla Roberts 3. 歷史解密:點解旺角行人天橋廿幾年都未起好?, 獨立新聞網
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現在經過屋邨商場你還會願意流連嗎?
建築與地方🏘 現在經過屋邨商場你還會願意流連嗎?⛲️Gorgeous Mall or Neighbourhood Centre? Illustration by: @donfo.lio 城市客廳/ 你還記得小時候在屋邨商場打發時間的回憶嗎?香港在50年代開始興建大量高層的公共房屋以應付大量的人口增長。以規劃角度來說,要在地面上建造足夠的社區空間去滿足幾座、幾十層居民是十分困難的。於是你便會發現許多公園、社福機構、廣場穿插於屋邨商場裡,成為了商場的一部份。與現今商場的建造目的不同,屋邨商場除了有快餐店、士多、雜貨店讓居民購物用餐,有著照顧社區的功能。同時,因為無需要達到龐大的商業價值和利潤,屋邨商場的設計十分多元化,令它變得不只是一個賺錢的盒子。 只有商業價值/ 但你會否發現這種模式的屋邨商場買少見少?因為03年時面對沙士導致經濟衰退,政府為了開源節流,將原先由房委會擁有和管理的屋邨商場出售給領展 (原名領匯)。以價高者得的商業原則下,較低利潤的士多、雜貨店搬走,一些高檔次及奢侈品的商舖隨之進駐,租金跟隨上調。通過翻新商場,以此為由加租,亦為了讓商場保持新鮮感,更會要求商戶每隔幾年調鋪一次。休憩空間的元素因沒有商業價值而相應被移取。的確,翻新了的商場設計觀感有了很大的改善,但卻失去了我們流連在此的原因。 Urban Living Room/ Recalling the fading memories of my childhood, estate shopping centres used to be one of my favourite places to wander around. In the 1950s, to support the rapid population growth, the government decided to build a large number of high-rise public housings. Some of the estate shopping centres are combined with parks, social welfare institutions and open plaza.The purposes of estate shopping centres are not only to provide restaurants and shops but more importantly, also to cater to the needs and desires of the local microcosm. Moreover, as commercial value is not the only concern, it is something more than just a profit-making machine which brings the design of an estate shopping centre has more opportunity and diversity. Commercial Purpose Only/ Unfortunately, the purpose of being a community centres is coming to an end. Before 2003, most of the estate shopping centres were initially being managed by the Housing Authority, the government has sold the majority of estate shopping centres to a real estate developer to recover recession from SARS, Under the principle of the highest bidder wins, with the rent increases accordingly, numerous small local shops and grocery stores are now replaced by high-profit luxury shops and all kinds of chain stores. Besides, some merchants are required to refurbish or relocate their shops every few years to maintain a fresh look. Eventually, commercial value has become the only priority, and the elements of being the open space are removed. They look better, but the purpose of staying is lost. #archi_kongcept #我港建築 #kongcept #我港
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唐樓(一):你對唐樓的印象是甚麼?
你對唐樓的印象是甚麼? 🤔What is your impression of Tong Lau? 唐樓與洋樓/ 唐樓,唐樓我們就叫得多,你又知不知道唐樓為何叫做唐樓?其實香港的唐樓出現在1841年英國佔領香港之後。當時香港正值發展農業和漁業,並於太平山開始興建道路和樓房,這些作為華人聚居的建築被稱為唐樓;但又有另一個說法指出其實唐樓這個詞是在1880年代開始出現,唐樓作為在地契條款上與洋樓的區分。當時的洋樓只可以是單一住宅用途和單一住客或租客;而唐樓則可下鋪上居,亦可分拆出租。這也反映了當時兩種不同的社會階級水平,分拆作不同單位大小當然較受相對貧窮的人歡迎。而唐樓可分為四個階段的漸變。 鄰里之間/ 唐樓的出現與設計的改變都反映了當時香港社會的生活寫照,因空間的需求與西方文化的影響加入了「廣州式騎樓」和「藝術裝飾」的元素,唐樓成為香港其中一種最有代表性的建築風格。而因為唐樓容許隔格改動與沒有租客的上限,創造了居民們之間強烈的鄰里關係。各種生活模式微妙地相互重疊與交錯,當然日常生活多少也會嗌霎,但也創造了很多鄰里之間的交流與故事。 _____________________________________________ Tong Lau vs Yeung Lau/ You can find Tong Lau here and there in Hong Kong, but do you know the origin of the name “Tong Lau”? Tong Lau first existed in the period after the United Kingdom occupied Hong Kong in 1841, a time when fishery and agriculture were the primary industries, and people started to construct roads and houses on Victoria Peak. All the houses were built for the settlement of Chinese and thus named as “唐樓Tong Lau”, which is a direct translation from Cantonese as the meaning of Chinese occupied tenement house. However, there is another claim that the term Tong Lau was formed in the 1880s as the clear division between it and ‘’洋樓Yeung Lau‘’, the residential mansions that were usually occupied by Western. Yeung Lau was only allowed for one occupant in one unit and with a single function of residential use. While Tong Lau was allowed for more than one occupant in one unit, and with commercial use at the ground floor; residential use at the upper floor. It reflected the difference of two distinct social classes that the flexible partitioning of Tong Lau was more favourable to those who had financial difficulties to rent multiple shelters. There are a total of four generations of Tong Lau. Street Life/ The presence and evolution of Tong Lau is the reflection of stories of Hong Kong society at different periods.Influenced by the eastern culture of veranda and western culture of “Art Deco”, Tong Lau became one of the typical architectural styles in Hong Kong. Thanks to the flexibility of partitioning and the grant of unlimited tenants, it created the tenacious bonding between neighbours. Illustration by @donfo.lio
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唐樓(二):唐樓看似平凡,卻反映香港的寫照
唐樓看似平凡,卻反映香港的寫照 🏙Tong Lau may look ordinary but reflecting the portraits of Hong Kong 街道生活/ 唐樓外表的確是本身較平凡,也是基層階級的產物,但是唐樓卻衍生出樓梯鋪、天台屋、街道生活的出現,描寫了更多香港的寫照。底層地鋪多元不同,其商品更延伸到行人路上,街頭擺賣繼而伸展到馬路。這種一層又一層的連繫形成了街頭生活。現有的摩天大樓,因商業考慮而令圖則變得奇形怪狀,只用冷氣解決通風問題,將室外與室內毫無留情地分隔開。但唐樓的設計正方而擁有自然通風的對流窗,而這裡每天發生的不只有行人的流動與商業的交易,而是人與人之間交流是自然和有溫度的。唐樓展現了香港繁華背後的樸素日常的一面。 唐樓背後/ 在這看似繁華的香港出現劏房問題是十分諷刺的,但無奈唐樓仍然是很多基層和年輕人的經濟選擇。很多人在唐樓的地鋪裡創業,也很多人不介意住在「唐八樓」「唐九樓」,只求一個居住的地方,為了生存,為了未來的生活。雖然城市發展是無法避免的,但一個城市也需要多元化的面貌,唐樓正是其中一面。 _____________________________________________ Street Life/ Although Tong Lau may look ordinary and is the representative of the lower social class, the emergence of Tong Lau also introduced the staircase store, roof housing and street life that narrated different moments of Hong Kong. Diverse types of ground-floor-stores extended to the pedestrian lane and attracted hawkers to operate nearby. The layering linked moments are the street life that is needed in Hong Kong. The current skyscrapers design that is emphasising the position of economic concern results in irregular forms of buildings using a.c. to resolve every ventilation problem. Indoor and outdoor spaces are mercilessly separated. On the other hand, Tong Lau, by using opposite openings for natural ventilation, is designed to be in regular forms. It is about the emotional interaction between people, rather than some senseless pedestrian and money flow. Behind the Scene/ Tong Lau embodied the simple and daily faces behind the bustling of Hong Kong. The subdivided flat problem inside Tong Lau still exists nowadays, which is ironic for it to happen in such a wealthy city. However, it is still a popular choice for lower social class and youngsters as a survival from and start-up of life. They do not mind living on the eighth or ninth floor without a lift, they just want to survive and hopefully can live a life in the future. We shall admit that it is unrealistic to avoid city development, but please do not ignore the many other faces of the city, that realistically exist, Tong Lau. Photography by @mr_nkf #archi_kongcept #我港建築 #kongcept #我港 #唐樓 #舊區 #街道生活 #tonglau #olddistrict #streetlife
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古物及古蹟制度
其實香港古蹟制度是如何運行?🗿‍香港古物與古蹟架構/「古物及古蹟條例」於一九七六年實施,以確保香港最具價值的文物古蹟得到適當保護。古物諮詢委員會及古物古蹟辦事處於同年相繼成立。[圖3]古物古蹟辦事處的文物保育組由五個小組組成,分別負責考古、 歷史建築、教育及宣傳和技術及顧問,以及策劃及管理方面的工作職能,他們先為古物古蹟作考察研究,[圖4]再將其建議交給由二十一人組成的古物諮詢委員會作討論和決定「歷史建築」和「法定古蹟」,全員由特首委任,來自超過十個界別。決定「法定古蹟」後會提交給古物事務監督(發展局局長),最後經特首同意藉憲報公告宣布法定古蹟,由古物古蹟辦事處執行其行政工作。‍The Antiquities and Monuments Ordinance was enforced in 1976 to ensure that the best examples of Hong Kong's monuments are under appropriate protection. In the same year, the Antiquities Advisory Board (AAB) and the Antiquities and Monuments Office (AMO) were established. [Pic3]In AMO, there is a Heritage Conservation Unit with five sections: archaeology, historical buildings, education and publicity, technical and advisory, planning and management. They first conduct research on antiquities and historic sites, and then submit their recommendations to the AAB, [Pic4]which is composed of 21 people for discussion and decision on "historical buildings" and "declared monuments”. All 21 members are all appointed by the chief executive and come from more than 10 industries and professions. After the decision is made, it will be submitted to the Antiquities Authority (Secretary for Development), and the Chief Executive will announce the official monuments through a gazette announcement, which will be implemented by the AMO.
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香港居屋(三):要分辨房協/房署居屋?可兼具私樓的質素和實驗性?
《我港 Kongcept》批鬥大會 2021 【4/8 建築與地方:如何分辨房署和房協的居屋? @kongcept852】 關於 #我港建築 #archi_kongcept 💬// 我港為你介紹一些穿插在這城市並記錄著香港的日常建築和充滿故事性的地方,藉着探索這些空間與我們的關係,尋找建築和地方的存在價值。// 如何分辨房協和房署的居屋?房協居屋具私樓的質素和設計實驗性 相信好多人發現有時經過發現很多特別的房屋設計,既不是私樓又不像倒模般的公屋,這很大機會是房協起的居屋! 房協被稱為「房屋實驗室」,不是政府組織?/ 雖然大部居屋都是由政府的房屋署所興建,但其實有部份居屋是交由房協(香港房屋協會)去執行和管理。很多人誤以為房協是政府方,但其實他們是獨立的非牟利機構,獲政府以低於市價批出土地,興建過公屋(例如祖堯、乙明邨)和為數不少的居屋。房協一直擔當「房屋實驗室」的角色,發展及研究不同的房屋計劃。例如: 🌿香港首個環保房屋——茵怡花園 👴🏻長者房屋——樂頤居 🏗市區重建房屋——荷李活華庭 設會所、附送的家電和裝修、媲美私樓般——綠悠雅苑 房署居屋/房協居屋/公屋要如何分辨?/ 房署的居屋有與公屋相似的固定建築類型(近年因方便公居屋互換而趨向與公屋設計無異),而房協的居屋則是千變萬化,既不用像私樓般按當時建築政策去抄盡容積率,或像公屋般為追趕效率而倒模式設計,可算難得地從香港房屋找到創意和人性化的考慮。 公屋以「邨」estate 命名,房署的居屋則根據英國council housing (英國的公共房屋)以「苑」court命名,而苑內的大廈則用「閣」House命名。而房協的居屋並沒有這個限制,過往有出現過「龍濤苑」、「祈德尊新邨」、「駿發花園」、「健康村」、「寶石大廈」、「綠悠雅苑」等等。相信大家要從名分辨房協居屋是有一定的難度😂。 #我港 #kongcept
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新自由主義:(一)旺角天橋建二十一年背後的反思:市場化的公共建築
延期完工二十一年、連接旺角道與彌敦道的天橋終於完成,有網民笑說「羅馬鬥獸場只花了十年時間興建」,究竟一條只有一百米的天橋如何能夠拖足二十年? 新自由主義: 政府將建造的基建責任轉向私人發展商/ 你應該會感到困惑,為何一條公共行人天橋會交由新鴻基去出資、設計和建造?首先讓我們先了解天橋背後的公共政策。新自由主義可以被理解為市場化傾向的公共政策,而在香港的體現有很多方式,以下是其中幾個: 1️⃣鼓勵發展商提供「私有化公共空間」[註1],由政府提出給予發展商更多建造面積,換取所謂的「公共空間」。 斥資方:發展商 建造方:發展商 管理方:發展商 例子: 時代廣場、新城市廣場露天平台 2️⃣由政府與發展商磋商興建天橋、公共交通交匯處等基建,由發展商管理,並可獲額外建造面積。 斥資方:發展商 建造方:發展商 管理方:發展商 例子:中環天橋系統、裕民坊公共交通交匯處 3️⃣政府將公共建築項目以public-private partnership (公私營合作)方式向發展商招標,被稱為「社區工程」。 斥資方:發展商or 政府 建造方:發展商 管理方:發展商 or 政府 例子:西隧、星光大道 對政府的好處可能是:無需為基建承擔公共開支、日後的管理責任(視乎情況而定)、其他風險。並借助私人發展商的建造效率和質素提供足夠的基建供應。 市場化後的公共建築/ 回到旺角行人天橋,政府原意是想舒緩旺角街道人車爭路的問題,將整個天橋網絡交由新鴻基斥資建造,再交由政府管理。以他們持有的新世記廣場作為起點,連接到剛完成的旺角道段。天橋全程數分鐘路程,既方便了市民,發展商又可能換取到更多建造面積,吸引人流到商場裡。 公共建築原由政府興建,如工程延期,牽涉公帑,或需再經立法會審批,公眾尚存在監察權。即使由政府斥資再向私人發展商招標,或尚有周旋的空間。但今次整項工程由私人發展商斥資和建造,公眾無從中干預,而政府的角色是十分被動,亦更難以追究延期賠償,因延期只涉及工程費用脹價,不論政府或私人發展商興建也未必需要為延期作出保償。 「新自由主義」下的市場化公共政策,由基建到整個城市構劃發展,甚至建築保育像中環街市[註2]都有著深遠影響,下回再續! 如有錯漏,敬請指正🙆🏻‍♂️ [註1] 私有公共空間 [註2] 港式保育後的中環街市 攝: 楊嘉朗(旺角天橋) 延伸閱讀: 1.Defying Disappearance: Cosmopolitan Public Spaces in Hong Kong, Lisa Law 2. Hong Kong: Neoliberal heaven or neoliberal nightmare?, Priscilla Roberts 3. 歷史解密:點解旺角行人天橋廿幾年都未起好?, 獨立新聞網
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建築師只設計建築,但地方是由你湊建
Countdown 1️⃣!!!! 建築師只設計建築,但地方是由你湊建 🏘Architects design buildings, but you build your own places 如果你在google搜尋香港的照片,十居其九都會看到俯瞰維港一帶高樓的照片,這不止告訴著你香港的繁華,也能讓你驚歎著每棟樓亂中有序地拼湊出香港這個地方,但這真的是香港全貌嗎?香港人每天為了擁有一個住的地方而打拼,由那些在唐樓劏房逆境求存的日子,或經過那些年的屋邨生活,到終於上到私樓,卻被困在無盡的商場裡。這些畫面大概才是香港的真實寫照吧。「建築與地方」會介紹一些穿插在這城市並記錄著香港的日常建築和充滿故事性的地方,希望能夠藉著此去探索這些空間與我們的關係和他們存在的價值。 ___________________________________________ When you try to google the images of ‘’Hong Kong ‘’, you can find a bunch of photographs with a overlooking view of the Victoria Harbour and stunning skyscrapers. It projects Hong Kong as a bustling city and impresses you by the buildings' order from chaos. However, is it really the full picture of Hong Kong? Hong Kongers are fighting for a home to live every day: From the struggle of survival at subdivided flat inide Tong Lau to the good old days in public housing neighbourhood, and to finally owning a dream house but trapped among identical shopping malls. These are the cruel reality of Hong Kong. The category ‘’Architecture and places’’ includes the introduction of buildings and places that recorded every moment of our living in this city. We wish to reveal the values and relationships between them and us and every one of you are part of the story. . 📷 @mr_nkf . #我港 #koncept #我港建築 #archi_kongcept #hkarchitecture #hkplaces #concretejungle #subdividedflat #hkneighbourhood #香港建築 #香港地方 #石屎森林 #劏房 #香港屋邨
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皇都戲院: (二) 保留皇都形與神的保育方案!
皇都第二回! 保留皇都形與神的保育方案!⚒🎭 我港分享了各種被遺忘和值得保育的香港文化,但今次不再紙上談兵,而是為保育一級歷史建築-皇都戲院-略盡綿力。新世界投得皇都戲院後,承諾形神俱備地讓皇都戲院重生,而旗下非牟利機構 @culturefortomorrow 最近籌辦了名為《尋找你我他的皇都》的代入式歷史體驗活動,作為是次計畫的序章。皇都戲院有多方面的價值:推動香港文化產業、劃時代的建築技術、和香港的生存印證。上次我港介紹了關於皇都對香港文娛發展的深遠影響(註1),今次會著墨更多在其建築和空間之關係的介紹。 被忽視的現代主義建築/ 在繼續介紹皇都之前,先讓我說說皇都代表的現代主義建築。它們既沒有古典主義的羅馬柱,又沒有現代玻璃大廈的未來感,而當時現代主義多以建築功能作設計的首先考慮,因此被很多人覺得它們都只是平平無奇的水泥建築。但其實好的現代主義建築能透過外牆與其建築功能分佈的協調,透過規律的線條散發著含蓄而冷靜的美感。而現代主義建築記錄香港戰後的殖民地歷史,從其設計能找到香港當時的生活模式、社會狀況、甚至政治意圖。例如上回介紹的順利邨商場般(註2)的粗獷主義建築是內藏當時港英政府戰後更新國家形象的意圖。 香港獨有的現代主義演釋 - 皇都/ 當然,不是所有現代主義建築都擁有同等的價值,而最直接的量度好壞的方法是看設計背後的意圖和美學考慮的多寡。從整體設計來看,皇都戲院像是個反叛的孩子,與當時建造的戲院手法毫不相近, 建築師劉新科及工程師George. W. Grey 巧妙利用了外露的飛拱水泥鋼根結構,一個個規律的圓拱告訴你他們抓著的戲院究竟有多大。飛拱令戲院無需支柱支撐,提升了視覺和聽覺的質素。中大建築學教授鍾宏亮Thomas Chung更認為這設計是受著名現代主義建築師 Le Corbusier 的蘇維埃宮殿設計所啟發。 🎬🛍️戲院與商場的結合/ 但令我最印象深刻是原為停車場改建而成的商場,這可能是該年代香港少數集住宅、戲院、和商場於一身的建築。商場巧妙地利用上方戲院座位的高度差創造了與典型商場不同的商業空間。當你處身於商場內的走廊上,不難發覺每隔一段路就有樓梯向上或下行,商鋪高度也跟住坡道改變,十分有趣。而鋪頭的招牌和鋪頭外的信箱形造出街鋪。我曾探訪過停業前的皇都商場,看到一位店主的愛妻在鋪外埋頭苦幹做飯的畫面(註3),商場環境好比一個小社區。 未來的活化計劃是將會重用戲院部份作表演空間,這是十分令人鼓舞的消息。有別於大館或PMQ等活化都將原建築功能改為文化空間,皇都戲院能夠將其背負著的那段輝煌的香港娛樂文化歷史帶到現在,為本地藝術工作者提供表演場地,這令此建築具更深的意義。過往很多現代主義建築都逃不過清拆的命運,例如政府帶頭清拆的皇后碼頭、舊政府總部、中環郵局總部等,皇都得以保留值得我們感到欣慰,我港寄望借它來告訴大眾,不少看現代主義建築的美! (註1)重溫: 皇都印證著香港文娛的發展 (註2)重溫: 順利邨商場流動的粗獷主義 (註3)重溫: 皇都店主愛妻的日常 Story有link! #我港 #kongcept #我港建築 #archi_kongcept #StateTheatre #皇都戲院 #NewWorld #hkarchitecture #hkconservation #hkheritage #readopt #活化 #皇都活化 #再說皇都 #歷史建築 #hkhistory #香港歷史 #香港社區 #hkmall #hkshopping #香港商場 #hktheatre #香港戲院 #hkculture #香港文化 #香港好きな人と繋がりたい
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唐樓(一):你對唐樓的印象是甚麼?
你對唐樓的印象是甚麼? 🤔What is your impression of Tong Lau? 唐樓與洋樓/ 唐樓,唐樓我們就叫得多,你又知不知道唐樓為何叫做唐樓?其實香港的唐樓出現在1841年英國佔領香港之後。當時香港正值發展農業和漁業,並於太平山開始興建道路和樓房,這些作為華人聚居的建築被稱為唐樓;但又有另一個說法指出其實唐樓這個詞是在1880年代開始出現,唐樓作為在地契條款上與洋樓的區分。當時的洋樓只可以是單一住宅用途和單一住客或租客;而唐樓則可下鋪上居,亦可分拆出租。這也反映了當時兩種不同的社會階級水平,分拆作不同單位大小當然較受相對貧窮的人歡迎。而唐樓可分為四個階段的漸變。 鄰里之間/ 唐樓的出現與設計的改變都反映了當時香港社會的生活寫照,因空間的需求與西方文化的影響加入了「廣州式騎樓」和「藝術裝飾」的元素,唐樓成為香港其中一種最有代表性的建築風格。而因為唐樓容許隔格改動與沒有租客的上限,創造了居民們之間強烈的鄰里關係。各種生活模式微妙地相互重疊與交錯,當然日常生活多少也會嗌霎,但也創造了很多鄰里之間的交流與故事。 _____________________________________________ Tong Lau vs Yeung Lau/ You can find Tong Lau here and there in Hong Kong, but do you know the origin of the name “Tong Lau”? Tong Lau first existed in the period after the United Kingdom occupied Hong Kong in 1841, a time when fishery and agriculture were the primary industries, and people started to construct roads and houses on Victoria Peak. All the houses were built for the settlement of Chinese and thus named as “唐樓Tong Lau”, which is a direct translation from Cantonese as the meaning of Chinese occupied tenement house. However, there is another claim that the term Tong Lau was formed in the 1880s as the clear division between it and ‘’洋樓Yeung Lau‘’, the residential mansions that were usually occupied by Western. Yeung Lau was only allowed for one occupant in one unit and with a single function of residential use. While Tong Lau was allowed for more than one occupant in one unit, and with commercial use at the ground floor; residential use at the upper floor. It reflected the difference of two distinct social classes that the flexible partitioning of Tong Lau was more favourable to those who had financial difficulties to rent multiple shelters. There are a total of four generations of Tong Lau. Street Life/ The presence and evolution of Tong Lau is the reflection of stories of Hong Kong society at different periods.Influenced by the eastern culture of veranda and western culture of “Art Deco”, Tong Lau became one of the typical architectural styles in Hong Kong. Thanks to the flexibility of partitioning and the grant of unlimited tenants, it created the tenacious bonding between neighbours. Illustration by @donfo.lio
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