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香港古蹟:鐘樓迎來首鳴一百週紀念,你知道為何要興建鐘樓嗎
December 8, 2021

尖沙咀鐘樓迎來首鳴一百週紀念,你又知不知為何當初會在這裡興建鐘樓?

其實這鐘樓原名為九廣鐵路鐘樓,鐘樓隔離本來是建於第一次世界大戰前的尖沙咀火車站(現址香港文化中心)。它其實是為該火車報時用的,除了日佔時段,它一直默默為火車站服務,一直到1950年因馬達零件問題而停止轉動。可惜的是以紅磚和花崗岩建成的火車站因紅磡搬遷計劃而清拆。當時的古蹟學會曾收集15000個簽名向英女王請願要求保留火車站建築,但最後郤是無疾而終。

今天的鐘樓只剩下象徵意義,火車站原有的幾條羅馬柱被移到市政局百週年紀念公園卻無人問津。今晚六點,鐘樓會再次響起,提醒我們,不要再讓自己珍重的事物消失。

The clock tower in Tsim Sha Tsui is celebrating its 100th anniversary. Do you know why the clock tower was built here in the first place?

This clock tower was originally called the Kowloon-Canton Railway Clock Tower. The clock tower was originally built for the Tsim Sha Tsui Railway Station, before the First World War. The clock tower was actually used for the train's timekeeping. The service was stopped in 1950 due to a problem with motor parts.  It is a pity that the railway station built of red brick and granite was demolished due to the Hung Hom relocation plan.  At that time, the Antiquities Society collected 15,000 signatures and petitioned the Queen of England to keep the railway station building, but in the end it was nothing.

Today’s clock tower only has symbolic meaning. The original Roman columns of the railway station were moved to the Centennial Park of the Municipal Council but no one cares about it.  Tonight, at six o'clock, the clock tower will ring again, reminding us not to let the things we cherish disappear.

DID YOU KNOW ?
MILK TEA IS THE SPIRIT OF YOUNG TEENAGER OF HONG KONG
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轉角唐樓圖鑑
僅存的戰前唐樓其實一直扎根於香港的市區裡,給自己一天的時間去好好探訪這些唐樓! 我們或許不能拯救他們,但請用你的眼晴去記錄轉角唐樓的歷史吧。 1. 汝州街269及271號, 深水埗, 1920s, grade III 2. 雷生春, 荔枝角道及塘尾道交界, 太子, 1931, grade I 3. 青山道301及303號, 深水埗, 1933, non-graded 4. 北河街58號, 深水埗, 1920, grade II 5. 皇后大道西1號, 上環, 1920s, grade III 6. 史釗域道6號, 灣仔, 1920s, grade III 7. 德輔道西207號, 西營盤, 1921, grade II 8. 彌敦道190號, 尖沙咀, 1937, grade III 9. 廣東道578號, 佐敦, 1945, non-graded The only remaining pre-war corner Tong Lau are actually rooted at Hong Kong city centre. Give yourself a day to visit these them! We may not be able to preserve them all, but please use your eyes to record the history of those corner Tong Lau. 1. 269 and 271 Yu Chau Street, Sham Shui Po, 1920s, grade III 2. Lui Seng Chun, junction of Lai Chi Kok Road and Tong Mei Road, Prince Edward, 1931, grade I 3. 301 and 303 Castle Peak Road, Sham Shui Po, 1933, non-graded 4. 58 Pei Ho Street, Sham Shui Po, 1920, grade II 5. 1 Queen's Road West, Sheung Wan, 1920s, grade III 6. 6 Steward Road, Wan Chai, 1920s, grade III 7. 207 Des Voeux Road West, Sai Ying Pun, 1921, grade II 8. 190 Nathan Road, Tsim Sha Tsui, 1937, grade III 9. 578 Canton Road, Jordan, 1945, non-graded #我港 #kongcept #archi_kongcept #tonglau #hkconservation #我港建築
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中大建築碩士年展 CUHK Master of Architecture Year Show 2021/ 這兩年間,香港人對於建築與城市形態的認知起了不少變化,發現原來商場不只是購物,還能夠展現公民功能;也因疫情不想困在家中,而探索了香港每一個角落。希望《我港》在這個艱難時期,有成功協助到你去更認識香港,與這裡的一事一物建立更深厚的情感。此時此刻,正有一班中大的建築系硯士畢業生密鑼緊鼓,籌備著畢業年展,他們除了要適應不同的新常態,還需面對學校全新制度 - 他們會如何利用建築去回應香港環境的蛻變? 60個作品,60個對於城市與空間的回應/ 今年的主題是<<共鳴與蛻變>>,畢業生在蛻變之間收集了社會上多元的聲音,透過建築設計找出了人與空間的共鳴。今年一共有60位畢業生,被分配到9個不同的STUDIOS,但與往年截然不同的事,除了展出60個個人作品,同學們更希望以九個STUDIOS作區間 ,明確地帶出9種不同的重要訊息。訊息包括「探討舊區深水埗的貧窮問題」、「新市鎮東涌的未來發展」、「探索大自然與人的關係,香港近郊鄉村的保育」等等...。如不認識何謂STUDIO和THESIS ,可以重溫 @archipodcasthk EP17! 將學術研究帶到專業實踐,甚至乎普及於大眾?/ 今次年展除了展出學生作品外,還會有webinar、sharing session、 和 guided tour。從科學到藝術、人文到自然,建築課題可涉獵的領域十分廣泛。在學習建築的過程中,一篇論文、一棟建築、甚至一件物件都能使我們產生相關範疇的興趣。修讀過建築的你...還記得自己對建築的哪部份最著迷?畢業過後已將它拋諸腦後?有見及此,學生們邀請了 @kongcept852、 @hkarchitecturalhistory、主教山設計提案的Shita Lam 和 @archipodcasthk 建築宅男,希望能讓畢業生們或普羅大眾瞭解到本地建築行業的不同面向,探討如何將學術研究延伸到專業實踐,甚至推廣至社會不同階層的可能性! 建築與香港文化密不可分! 展覽時間: 25/5 TUE By invitation 26/5 WED 10:00-20:00 27/5 THUR 10:00-20:00 28/5 FRI 10:00-21:00 29/5 SAT 10:00-21:00 30/5 SUN 10:00-17:00 地點: 灣仔香港藝術中心 - 包氏畫廊 Pao Galleries, Hong Kong Art Centre, Wanchai Follow @kongcept852,探索香港文化的一切~ #kongcept #我港 #kongcept_archi #hkarchitecture #cuhk #cuhkarchi #中大建築 #我港建築 #review #presentation #MArch #masterofarchitecture #hongkongculture #hklife
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建築師只設計建築,但地方是由你湊建
Countdown 1️⃣!!!! 建築師只設計建築,但地方是由你湊建 🏘Architects design buildings, but you build your own places 如果你在google搜尋香港的照片,十居其九都會看到俯瞰維港一帶高樓的照片,這不止告訴著你香港的繁華,也能讓你驚歎著每棟樓亂中有序地拼湊出香港這個地方,但這真的是香港全貌嗎?香港人每天為了擁有一個住的地方而打拼,由那些在唐樓劏房逆境求存的日子,或經過那些年的屋邨生活,到終於上到私樓,卻被困在無盡的商場裡。這些畫面大概才是香港的真實寫照吧。「建築與地方」會介紹一些穿插在這城市並記錄著香港的日常建築和充滿故事性的地方,希望能夠藉著此去探索這些空間與我們的關係和他們存在的價值。 ___________________________________________ When you try to google the images of ‘’Hong Kong ‘’, you can find a bunch of photographs with a overlooking view of the Victoria Harbour and stunning skyscrapers. It projects Hong Kong as a bustling city and impresses you by the buildings' order from chaos. However, is it really the full picture of Hong Kong? Hong Kongers are fighting for a home to live every day: From the struggle of survival at subdivided flat inide Tong Lau to the good old days in public housing neighbourhood, and to finally owning a dream house but trapped among identical shopping malls. These are the cruel reality of Hong Kong. The category ‘’Architecture and places’’ includes the introduction of buildings and places that recorded every moment of our living in this city. We wish to reveal the values and relationships between them and us and every one of you are part of the story. . 📷 @mr_nkf . #我港 #koncept #我港建築 #archi_kongcept #hkarchitecture #hkplaces #concretejungle #subdividedflat #hkneighbourhood #香港建築 #香港地方 #石屎森林 #劏房 #香港屋邨
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轉角唐樓: (二) 蘊藏在唐樓背後的是未被利用的歷史文化價值🗿
蘊藏在唐樓背後的是未被利用的歷史文化價值🗿 比利時義品公司/ 轉角唐樓與比利時地產公司其實有莫大關係。19世紀的比利時是歐洲工業革命中發展得較蓬勃的國家。有別於其他歐洲大國積極擴展軍事及殖民地,比利時郤側重於資金、工業及學術出口到全世界。這造就了比利時義品公司在香港的出現。比利時義品公司在香港的生意主要在房地產投資、建築設計、施工作業、抵押貸款到物業管理,可算是一條龍服務。公司的總部在布魯塞爾,支部都由比利時人領導,但都需要華人在港管理。而他們的建築師大多來自比利時,不但引入現代摩登主義的設計,還因應香港的地貌與天氣,生產出具香港特色的轉角唐樓。很多轉角唐樓因應香港熱帶天氣而設計露天的走廊,作為室外與室內的緩衝空間。你更可以從圍欄通花找到裝飾藝術的足跡。范威利克出任當時的總負責人,是其中一個具影響力的建築師帶領著裝飾藝術到摩登主義的過渡。 瀕臨絕種/ 唐樓的起源在港島,但轉角唐樓的起源則在九龍。他象徵了當時香港的城市發展,摩登的轉角建築塑造了中產階層的社區。現在香港只剩下九座戰前的轉角唐樓,而青山道301,303號因遲遲未被評為歷史建築,而面臨被清拆的命運。現今被活化保留的轉角唐樓只有改造成中醫學院的雷生春及剛翻新的為群公寓。 的確,要將唐樓的商業價值提高至摩天大樓般是沒有可能的。但如果我們將商業與文化價值去看,活化唐樓群組不但保留社區特色,更可以打造成特色景點,商業與文化價值也能相輔相成。香港,這個地方有著世界級的商業中心,背後其實還有更大的建築資源等待被好好利用。但在經濟效益主導的世道下,究竟我們能否運用建築價值去記錄和分享其年代的故事? Who is Crédit foncier d'Extrême-Orient (CFEO)/ Corner Tong Lau had a relationship with some of the Belgium developers. In the 19th century, Belgium attained substantial development from industrial revolution. Belgium based companies such as the Crédit foncier d'Extrême-Orient(CFEO) expanded to Hong Kong with Belgian-styles development investment, architectural design, construction work, mortgage service, and property management. Moreover, through localisation, corner Tong Lau was designed in response to the geographical and climate context in HK. Gabriel Van Wylick was the office head in Hong Kong, he was one of the influential architects who led the transition from Art Deco to the modernism age. Endangered/ Tong Lau's emergence was in Hong Kong Island, but Tong Lau first appeared in Kowloon. It emblemed the city development of Hong Kong in a particular period. Even though looking at the significance of Castle Park Road 301-303, it cannot escape from the destiny of demolition that it still has not been graded as a historical building. When we take community and cultural value into consideration, the assembly of different preserved historic buildings can be the hero. It can protect the community's unique character while accelerating the cultural and commercial value of that area. At the age of economic dominance, are there opportunities left for architecture to record n share stories of this city? #archi_kongcept
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歷史建築沒有法律效力,政府帶頭破壞一級歷史建築
從四個保育案例看香港古蹟制度的敗處🗿 竟然沒有法律保障歷史建築物!? 皇后碼頭/ 皇后碼頭以現代主義建築形式興建而成,原是皇后像廣場的停泊處,只供香港總督及英國主要官員往返香港時使用。後來改建成皇后碼頭,價值不止是其現代主義建築,還有它作為記錄香港人集體回憶的公共空間。政府以發展為由,竟帶頭將這個一級歷史建築清拆。十三年後,至今仍沒有重建計劃。其實香港的「歷史建築」只有參考作用,沒有法律效力;「法定古蹟」才有法律保障。即使近年政府提出,被評為一級歷史建築能被接納為已列入具高度價值的建築,增加成為法定古蹟機會,但很多歷史建築因私人業權問題難以保育,最後也只能落得清拆下場,例如「同德大押」(grade III) 和「何東花園」(grade I)。 「古蹟辦」被笑稱「估即辦」,考察過程草率了事 皇都戲院/ 皇都戲院已經有六十九年歷史,它作為香港昔日娛樂事業風光年代的證據,也盛載我們的集體回憶。國際保育專業組織 Docomomo International在一六年發出「文物危急警示」促請為它評級為一級歷史建築,但古蹟辦被揭發對戲院的內部改動情況不充分掌握就草率提出將戲院列為三級歷史建築的建議。先不論古蹟辦考察過程透明度之低,其中一位負責評審的學者竟說:「假若漢墓值5分,清代(建築)最多4分,咁皇都幾多分?」(bio有「活現香港」皇都戲院評級爭議懶人包的link),從這話可看出他們的想法已與現今保育方向脫節。幸好最後古諮會評定它為一級,現時被新世界發展商收購,是首個發展商主動提出的活化項目。 Queen's Pier; No legal protection for historical buildings Built in the form of modernist architecture, its value lies in its use as a public space that records the Hong Kong people’s collective memory. The government demolished this first-class historic building for the new development scheme. In fact, Hong Kong’s "historical buildings" are only for reference and have no legal validity; only "declared monuments" have legal protection. Even though the government has proposed in recent years that historic buildings rated as Grade I can be accepted as buildings of high value which increasing the chance of becoming statutory monuments, many historic buildings are difficult to preserve due to private ownership issues, and they can only be demolished in the end. State Theatre; ‘Antiquities and Monuments Office’ teased as ‘Assumption Making Office’ . The inspection process was regarded as hasty It has a history of 69 years. It serves as evidence of Hong Kong's past entertainment industry and also contains our collective memories as a HKer. Docomomo International, an international conservation professional organization, issued the "Cultural Relics Emergency Warning" in 2016, urging it to be graded as a Grade I historical building. However, the AMO was revealed that it did not fully acknowledge the internal changes to the theatre and rashly proposed to list it as a Grade III historical building. It is currently being purchased by the New World Development and is the first conservation project proposed by the developer.
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香港古蹟:鐘樓迎來首鳴一百週紀念,你知道為何要興建鐘樓嗎
尖沙咀鐘樓迎來首鳴一百週紀念,你又知不知為何當初會在這裡興建鐘樓? 其實這鐘樓原名為九廣鐵路鐘樓,鐘樓隔離本來是建於第一次世界大戰前的尖沙咀火車站(現址香港文化中心)。它其實是為該火車報時用的,除了日佔時段,它一直默默為火車站服務,一直到1950年因馬達零件問題而停止轉動。可惜的是以紅磚和花崗岩建成的火車站因紅磡搬遷計劃而清拆。當時的古蹟學會曾收集15000個簽名向英女王請願要求保留火車站建築,但最後郤是無疾而終。 今天的鐘樓只剩下象徵意義,火車站原有的幾條羅馬柱被移到市政局百週年紀念公園卻無人問津。今晚六點,鐘樓會再次響起,提醒我們,不要再讓自己珍重的事物消失。 The clock tower in Tsim Sha Tsui is celebrating its 100th anniversary. Do you know why the clock tower was built here in the first place? This clock tower was originally called the Kowloon-Canton Railway Clock Tower. The clock tower was originally built for the Tsim Sha Tsui Railway Station, before the First World War. The clock tower was actually used for the train's timekeeping. The service was stopped in 1950 due to a problem with motor parts. It is a pity that the railway station built of red brick and granite was demolished due to the Hung Hom relocation plan. At that time, the Antiquities Society collected 15,000 signatures and petitioned the Queen of England to keep the railway station building, but in the end it was nothing. Today’s clock tower only has symbolic meaning. The original Roman columns of the railway station were moved to the Centennial Park of the Municipal Council but no one cares about it. Tonight, at six o'clock, the clock tower will ring again, reminding us not to let the things we cherish disappear. #我港 #kongcept #香港文化 #hkculture #自己香港自己救 #ฮ่องกง #홍콩 #hongkonger #hkig #insidehongkong #hkculture #hongkongmoment #hkdaily #capturehongkong #尖沙咀鐘樓 #hkclocktower
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中大建築碩士年展 CUHK Master of Architecture Year Show 2021/ 這兩年間,香港人對於建築與城市形態的認知起了不少變化,發現原來商場不只是購物,還能夠展現公民功能;也因疫情不想困在家中,而探索了香港每一個角落。希望《我港》在這個艱難時期,有成功協助到你去更認識香港,與這裡的一事一物建立更深厚的情感。此時此刻,正有一班中大的建築系硯士畢業生密鑼緊鼓,籌備著畢業年展,他們除了要適應不同的新常態,還需面對學校全新制度 - 他們會如何利用建築去回應香港環境的蛻變? 60個作品,60個對於城市與空間的回應/ 今年的主題是<<共鳴與蛻變>>,畢業生在蛻變之間收集了社會上多元的聲音,透過建築設計找出了人與空間的共鳴。今年一共有60位畢業生,被分配到9個不同的STUDIOS,但與往年截然不同的事,除了展出60個個人作品,同學們更希望以九個STUDIOS作區間 ,明確地帶出9種不同的重要訊息。訊息包括「探討舊區深水埗的貧窮問題」、「新市鎮東涌的未來發展」、「探索大自然與人的關係,香港近郊鄉村的保育」等等...。如不認識何謂STUDIO和THESIS ,可以重溫 @archipodcasthk EP17! 將學術研究帶到專業實踐,甚至乎普及於大眾?/ 今次年展除了展出學生作品外,還會有webinar、sharing session、 和 guided tour。從科學到藝術、人文到自然,建築課題可涉獵的領域十分廣泛。在學習建築的過程中,一篇論文、一棟建築、甚至一件物件都能使我們產生相關範疇的興趣。修讀過建築的你...還記得自己對建築的哪部份最著迷?畢業過後已將它拋諸腦後?有見及此,學生們邀請了 @kongcept852、 @hkarchitecturalhistory、主教山設計提案的Shita Lam 和 @archipodcasthk 建築宅男,希望能讓畢業生們或普羅大眾瞭解到本地建築行業的不同面向,探討如何將學術研究延伸到專業實踐,甚至推廣至社會不同階層的可能性! 建築與香港文化密不可分! 展覽時間: 25/5 TUE By invitation 26/5 WED 10:00-20:00 27/5 THUR 10:00-20:00 28/5 FRI 10:00-21:00 29/5 SAT 10:00-21:00 30/5 SUN 10:00-17:00 地點: 灣仔香港藝術中心 - 包氏畫廊 Pao Galleries, Hong Kong Art Centre, Wanchai Follow @kongcept852,探索香港文化的一切~ #kongcept #我港 #kongcept_archi #hkarchitecture #cuhk #cuhkarchi #中大建築 #我港建築 #review #presentation #MArch #masterofarchitecture #hongkongculture #hklife
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古諮會沒有考古學家?為何不是專業人士作決定?
其實香港古蹟制度是如何運行?🗿 香港古物與古蹟架構/ 「古物及古蹟條例」於一九七六年實施,以確保香港最具價值的文物古蹟得到適當保護。古物諮詢委員會及古物古蹟辦事處於同年相繼成立。[圖3]古物古蹟辦事處的文物保育組由五個小組組成,分別負責考古、 歷史建築、教育及宣傳和技術及顧問,以及策劃及管理方面的工作職能,他們先為古物古蹟作考察研究,[圖4]再將其建議交給由二十一人組成的古物諮詢委員會作討論和決定「歷史建築」和「法定古蹟」,全員由特首委任,來自超過十個界別。決定「法定古蹟」後會提交給古物事務監督(發展局局長),最後經特首同意藉憲報公告宣布法定古蹟,由古物古蹟辦事處執行其行政工作。 The Antiquities and Monuments Ordinance was enforced in 1976 to ensure that the best examples of Hong Kong's monuments are under appropriate protection. In the same year, the Antiquities Advisory Board (AAB) and the Antiquities and Monuments Office (AMO) were established. [Pic3]In AMO, there is a Heritage Conservation Unit with five sections: archaeology, historical buildings, education and publicity, technical and advisory, planning and management. They first conduct research on antiquities and historic sites, and then submit their recommendations to the AAB, [Pic4]which is composed of 21 people for discussion and decision on "historical buildings" and "declared monuments”. All 21 members are all appointed by the chief executive and come from more than 10 industries and professions. After the decision is made, it will be submitted to the Antiquities Authority (Secretary for Development), and the Chief Executive will announce the official monuments through a gazette announcement, which will be implemented by the AMO. #我港 #kongcept #archi_kongcept #hkconservation
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古物及古蹟制度
其實香港古蹟制度是如何運行?🗿‍香港古物與古蹟架構/「古物及古蹟條例」於一九七六年實施,以確保香港最具價值的文物古蹟得到適當保護。古物諮詢委員會及古物古蹟辦事處於同年相繼成立。[圖3]古物古蹟辦事處的文物保育組由五個小組組成,分別負責考古、 歷史建築、教育及宣傳和技術及顧問,以及策劃及管理方面的工作職能,他們先為古物古蹟作考察研究,[圖4]再將其建議交給由二十一人組成的古物諮詢委員會作討論和決定「歷史建築」和「法定古蹟」,全員由特首委任,來自超過十個界別。決定「法定古蹟」後會提交給古物事務監督(發展局局長),最後經特首同意藉憲報公告宣布法定古蹟,由古物古蹟辦事處執行其行政工作。‍The Antiquities and Monuments Ordinance was enforced in 1976 to ensure that the best examples of Hong Kong's monuments are under appropriate protection. In the same year, the Antiquities Advisory Board (AAB) and the Antiquities and Monuments Office (AMO) were established. [Pic3]In AMO, there is a Heritage Conservation Unit with five sections: archaeology, historical buildings, education and publicity, technical and advisory, planning and management. They first conduct research on antiquities and historic sites, and then submit their recommendations to the AAB, [Pic4]which is composed of 21 people for discussion and decision on "historical buildings" and "declared monuments”. All 21 members are all appointed by the chief executive and come from more than 10 industries and professions. After the decision is made, it will be submitted to the Antiquities Authority (Secretary for Development), and the Chief Executive will announce the official monuments through a gazette announcement, which will be implemented by the AMO.
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轉角唐樓: (二) 蘊藏在唐樓背後的是未被利用的歷史文化價值🗿
蘊藏在唐樓背後的是未被利用的歷史文化價值🗿 比利時義品公司/ 轉角唐樓與比利時地產公司其實有莫大關係。19世紀的比利時是歐洲工業革命中發展得較蓬勃的國家。有別於其他歐洲大國積極擴展軍事及殖民地,比利時郤側重於資金、工業及學術出口到全世界。這造就了比利時義品公司在香港的出現。比利時義品公司在香港的生意主要在房地產投資、建築設計、施工作業、抵押貸款到物業管理,可算是一條龍服務。公司的總部在布魯塞爾,支部都由比利時人領導,但都需要華人在港管理。而他們的建築師大多來自比利時,不但引入現代摩登主義的設計,還因應香港的地貌與天氣,生產出具香港特色的轉角唐樓。很多轉角唐樓因應香港熱帶天氣而設計露天的走廊,作為室外與室內的緩衝空間。你更可以從圍欄通花找到裝飾藝術的足跡。范威利克出任當時的總負責人,是其中一個具影響力的建築師帶領著裝飾藝術到摩登主義的過渡。 瀕臨絕種/ 唐樓的起源在港島,但轉角唐樓的起源則在九龍。他象徵了當時香港的城市發展,摩登的轉角建築塑造了中產階層的社區。現在香港只剩下九座戰前的轉角唐樓,而青山道301,303號因遲遲未被評為歷史建築,而面臨被清拆的命運。現今被活化保留的轉角唐樓只有改造成中醫學院的雷生春及剛翻新的為群公寓。 的確,要將唐樓的商業價值提高至摩天大樓般是沒有可能的。但如果我們將商業與文化價值去看,活化唐樓群組不但保留社區特色,更可以打造成特色景點,商業與文化價值也能相輔相成。香港,這個地方有著世界級的商業中心,背後其實還有更大的建築資源等待被好好利用。但在經濟效益主導的世道下,究竟我們能否運用建築價值去記錄和分享其年代的故事? Who is Crédit foncier d'Extrême-Orient (CFEO)/ Corner Tong Lau had a relationship with some of the Belgium developers. In the 19th century, Belgium attained substantial development from industrial revolution. Belgium based companies such as the Crédit foncier d'Extrême-Orient(CFEO) expanded to Hong Kong with Belgian-styles development investment, architectural design, construction work, mortgage service, and property management. Moreover, through localisation, corner Tong Lau was designed in response to the geographical and climate context in HK. Gabriel Van Wylick was the office head in Hong Kong, he was one of the influential architects who led the transition from Art Deco to the modernism age. Endangered/ Tong Lau's emergence was in Hong Kong Island, but Tong Lau first appeared in Kowloon. It emblemed the city development of Hong Kong in a particular period. Even though looking at the significance of Castle Park Road 301-303, it cannot escape from the destiny of demolition that it still has not been graded as a historical building. When we take community and cultural value into consideration, the assembly of different preserved historic buildings can be the hero. It can protect the community's unique character while accelerating the cultural and commercial value of that area. At the age of economic dominance, are there opportunities left for architecture to record n share stories of this city? #archi_kongcept
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轉角唐樓: (一) 有無發現你經常在九龍抬起頭來會發現轉角唐樓的蹤影?
唐樓第二課! 有無發現你經常在九龍抬起頭來會發現轉角唐樓的蹤影?🏢 喘息空間/ 轉角唐樓泛指座落於兩條道路交界的唐樓,起源於1930年代。上回提到這年代的唐樓屬第三代的戰前產品,開始由建築師去設計。普通的唐樓牆身都緊近著另外兩側的唐樓,設計局限於面向街的外牆上花心思,但轉角唐樓則能夠運用轉角位伸展更大的臨街外牆,擁有僅餘的喘息空間去演變不一樣的變化。 發水蛋糕樓的那五年/ 轉角唐樓的出現源於19世紀中的條例規定,如樓宇的騎樓部份能作遮雨的公共用途則不計算為建築面積。作為精打細算的香港人當然“著數”拿最盡,樓宇跟著行人路的形狀走,於是出現了能為行人遮雨的弧形唐樓。第一代的轉角唐樓特色是它的騎樓多需以柱作支撐,這些大得誇張的騎樓又可以叫做「走馬騎樓」;第二代轉角唐樓出現在二戰後,因人口的膨脹,轉角唐樓的騎樓部份被僭建為室內空間,而當時政府是容忍的;第三代的轉角唐樓則建於1962到66年。因政府在1962提出修例以防止樓宇建得過大和高,但因修例改動太大而推遲到1966先推行。於是發展商紛紛趕著在這五年蓋最高最大的轉角唐樓。 The Breathing Space/ Do you know that corner Tong Lau is most common to be found in the Kowloon district?And it is a mixed-race of Hong Kongese and Belgian ? Corner Tong Lau, occurred in the 1930s, is regarded as the Tong Lau that was situated across two roads. The previous introduction of Tong Lau mentioned that they are the third generation of Tong Lau but were the first to be designed by architects. Ordinary Tong Lau sat side by side and limited the space for design efforts to be delivered, only on the façade facing the street. However, taking advantage of using a stretching façade crossing two roads, the variance could be found from the remaining breathing space. The Five Year of Cake-formed Tong Lau/ The emergence of corner tong lau originated in the mid-19th century regulations stipulating that if the extended part of a building can be served for public purposes as a shelter from rain, it was not counted as a built area. Of course, smart Hong Kong people did not miss out this chance to maximise their gain, they built an arc-shaped building contours extended along the footpath, formed the corner Tong Lau. The first-generation corner tong lau’s characteristic is the columns that need to be built to support the extended part. These exaggerated verandas could also be called " Horse-crossing Veranda "; the second-generation corner tong lau occurred due to the expansion of the population, the extension of the corner tong lau was illegally built as indoor spaces, tolerated by the government. The third-generation corner tong lau was built during 1962-66. The government proposed amendments in 1962 to prevent buildings from being built too large and tall, but delayed to be established until 1966.
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樂華邨商場: 中式亭園與現代主義的結合
⛩中式亭園與現代主義的結合/ 樂華邨商場是單棟的商業建築,它通過懸挑的屋頂連接各個屋苑平台和公共空間。 由巴士總站出發,你的視線會先被屋頂上的鮮色圖案吸引, 這裏是老年人休息或居民等待巴士的地方。然後經過拱形走廊,一直到懸臂屋頂覆蓋著的公共空間,這裡的空間被分成兩部份,上半部份主要通往不同的屋苑,下半部份為綠化的休憩空間。 最後你可以隨意選擇從任何位置進入商業建築,並通過圍繞著建築的扶手梯或樓梯穿梭不同樓層。 建築的形態和顏色體現了樂華邨名稱的含義 - 「快樂中華」。建築師將中國亭園的形態以簡約的現代主義方式呈現,抽象地以桁架、垂直和水平的線條演繹。此外,中式元素貫穿了整個屋邨,由巴士站旁走道頂的紅黃橙色、商業建築的紅色地磚、再到屋苑的粉紅色外牆。 地區:觀塘 建造年份:1985 屋邨商場類型:庭院式 樓層:3 持有公司:領展 ⛩ Chinese Architecture in Modernist Translation/ Lok Wah Shopping Centre is a single commercial block linking various podiums and open spaces, with a cantilevered roof. The journey starts from the bus terminal; you will reach the first open space that is with a welcoming warm-coloured roof, it is where the elderly take a rest or wait for buses. Then the journey continues by passing through the arch-shaped corridor and down to the two-floors-split open spaces covered by the cantilevered roof. You can then enter the commercial block and circulate around through escalators or staircases. The architectural form and colours embody the meaning of the name ‘’ Lok Wah樂華’’, which means ‘’ joyful Chinese 快樂中華 ’’. The Chinese pavilion form is explicitly abstracted to a modernist translation of planes, angler trusses and columns. They are also coherent to the red floor tiles placed throughout the commercial block. District: Kwun Tong Year: 1985 Type: Courtyard Floor: 3 Ownership: Link Reit #我港 #kongcept #我港建築 #我港社區 #archi_kongcept #kongcept_community #樂華邨 #屋邨商場 #香港好きな人と繋がりたい
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