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埋藏著對稱的三角玻璃頂, 創造了和諧的空間氣氛
July 19, 2021

🔺 廣福商場坐落於停車場和街市的上方。 商場底層連結著休閒和靜態設施的平台,平台的面積相當大,也達成了人車分隔。 建築外牆程現代主義風格,簡單的線條,以巨大方型水泥框勾劃出店鋪窗戶,但它主要以一部主扶手電梯進入商場的內部。雖然這商場「封閉式建築」型,商場並沒有設置中央冷氣,依靠中庭兩則的三角玻璃頂改善了通風和透光。玻璃滲透的自然光與錯層的空間營造出讓想舒服地逗留的氣氛。有部份的牆身原為鋪頭大門,現用了相當亮眼的紙皮石砌成,為空間制造一點驚喜。

地區: 大埔

建造年份: 1983

建築類型: 走廊式

樓層: 4

持有公司: 領展

Twin Pitch Roofs

Kwong Fuk Commerical Centre is a single block sitting above the car park and the market. It connects to a podium with recreational and static facilities in a similar footprint area. The main part of a commercial centre is linked only by a key escalator. Two pitch roofs improve the ventilation and daylight from a concealed block. A split level is created by the level control of atrium. There are also several balconies in between retail stores connecting the environment between the commercial centre and the estate.

District: Tai Po

Year: 1983

Typology: Arcade

Floor: 4

Ownership: LINK Reit

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啟業邨商場: 環環相扣的建築群保護著空曠的中央廣場
啟業邨商場 啟業主場!環環相扣的建築群保護著空曠的中央廣場 一目了然的視線/ 啟業邨的規劃是將社區及商業空間都佈置在邨裡的中心。 而當你到達廣場中心觀察四周,便會覺得其格局是清晰易明的。 底層的商鋪圍繞著中央廣場,上層便是社區中心。而商場、街市、停車場與商鋪和社區中心井井有條地環環相扣。一條樓梯從停車場外在廣場中心冒出,並通過清晰的標示設計引領你到剛翻好的「啟業主場」。中央廣場的安全感來自被包圍的建築群,但廣場只提供一些長凳和景觀設計,因此多只吸引到老人家和附近上班的人來休息。整體來說空間之間連結得很有條理,只欠公共空間用途的多樣性。 地區: 九龍灣 建造年份: 1981 建築類型: 庭院式 樓層: 1 持有公司: 民坊 Observable experience/ In Kai Yip Estate, all community and commercial programmes are clearly positioned at the centre of the estate. When you arrive at the open space, you will easily indicate that a block of shopping centre connects all street stores at the ground floor that sitting under the housing blocks and community services at the upper level are connected by a covered walkway and a community centre. The extended staircase pops up from the car park and guides you from the ground to the rooftop sports court through clear architectural form and signage. The open space is secured by housing blocks, community centre and car park block. Since there are only some benches and landscape provided, the major occupants are elderly who were resting and workers were having their quick lunch and break. All programmes are well connected, but lacking diversity for the inhabit in open space. District: Kowloon Bay Year: 1981 Typology: Courtyard Floor: 1 Ownership: People’s Place #我港 #kongcept #kongcept_archi #hkshoppingcentre #hkestate #香港文化 #hkculture #屋邨商場 #hkpublicspace #公共空間
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「皇都嘅集體回憶係「集」邊個嘅「體」? 鄧麗君我個仔已經唔識啦!」 上回有輕輕講過皇都戲院被忽視的歷史價值,不單是它那十分少見的外露「飛拱結構」,更重要的是它承載著一段娛樂文化的歷史。我港有幸被邀請去參觀皇都戲院, @walk.in.hong.kong 介紹了很多關於皇都的故事。 北角作為「小上海」印證著香港娛樂文化的發展/ 相信大家都知道北角是個「小福建」,但其實這裡成為福建人的聚居地前是個「小上海」。早在四十年代很多上海人因內地政局不穩而南移香港,而這些上海人不少是從商的有錢人,他們把上海的時尚文化、生活品味和精彩的夜生活帶到了北角。你有曾想像過早在四十年代已經有一站式遊樂園、夜總會和戲院?風靡一時的新麗池夜總會,一座大廈竟然擁有溜冰場、舞廳和泳池等娛樂設備。 將香港和世界連繫的戲院/ 而皇都戲院前身的璇宮戲院正正在這個奢華娛樂文化背景中出現。璇宮戲院是國際級的戲院,吸引了世界頂尖的古典音樂家和香港著名音樂家登台,例如鄧麗君等,把香港與國際連繫著。其後易手改名為皇都戲院,改建了停車場成商場和加建了住宅大廈。它一直作為粵劇和世界級表演,後期成為電影放映的重要平台,緊緊相扣著北角這個社區。建築師羅慶鴻質問皇都是「集」誰的「體」,我會說它可能不是你的回憶,但它告訴了我關於北角這個社區的歷史和故事,以至它對香港文娛發展的深遠影響。 從社區看建築的價值/ 古蹟辦有它一套準則去評審一棟建築是否具有成為歷史建築的價值,包括歷史、建築、社會價值、組合價值、保持原貌程度、及罕有程度。但當中其實有很大的空間去詮釋這些準則。而往住被忽視的是建築在社會的價值。當然很多人會說皇都戲院的社會價值只是過去的事,現在只剩外殼。但正正是這些建築承載著與你有關的社區故事,它塑造了該社區的形象和性格,而這些多樣性的社區才構成了香港這個地方。我們更應該利用這些歷史建築的故事加以活化並承傳下去。我很高興聽到新世界主動提出要活化皇都戲院,更希望開放飛拱作公共空間。最後令我印象深刻的是同行的 @charlescwlai 說的:「以前北角沒有高樓大廈,皇都顯得很凸;如今高樓大廈林立,皇都便顯得凹下去了。」但不論凹凸,它依舊是特別的存在。 #kongcept #我港 #皇都戲院 #再說皇都 #保育 #古蹟保育項目 #CreatingSharedValue #LivingHeritage #Conservation #PreserveHKhistory #Revitalisation #StateTheatre #neverendingstory #kongcept_community
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順利邨商場: 社區空間起伏流動的粗獷主義
順利邨商場🏢 粗獷主義,社區空間的起伏流動/ 順利邨商場並沒有很明確的邊界,其商場範圍是以舊長型屋苑的建築輪廓作基本規劃,由於整個屋邨窄而長,商場空間像河流般穿梭於兩邊屋苑之中。街市和停車場坐落在屋邨的平台下,而平台上方的行人走道不僅連接了所有屋苑間的商鋪,而且塑造了多個高低起伏的休閒和靜態開放空間。 錯層的空間塑造了被包圍的安全感,並且讓地面的途人容易分辨方向。 商場的形態展現了不少粗野主義的元素。建築群著重表達出十分厚實的橫向感,以較幼的結構柱作支撐,長而窄的窗口更伸延其橫向感。 空間的上下流動與粗獷主義堅實的對比營造了順利邨商場的獨特風格。 地區: 順利 建造年份: 1978 建築類型: 平台式 樓層: 3 持有公司: 領展 Shun Lee Commercial Centre 🏢 Brutalism, the contrast of flowing community space/ The entire shopping centre flows according to the contours of slab block housing of the estate. The market and car park sit at the ground. The walkway at above not only links retail stores at all housing blocks, but it also shapes multiple voids for recreational and static open space. The open space at the split level suggests a secure spatial quality between two levels and become easily accessible from the ground to the retail level. The shopping centre presents itself as the architectural significance of brutalism. Slabs run with thin columns with large cantilevered masses and thick windows. The contrast between flowing spatial organisation and the rooted brutalism style comes into a unique identity in Shun Lee Shopping Centre. District: Shun Lee Year: 1978 Typology: Podium Floor: 3 Ownership: Link Reit #我港 #kongcept #kongcept_community #順利邨 #香港屋邨 #屋邨商場 #hkshoppingcentre #香港自救
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建生邨商場:菱形牽成和諧對稱的視覺畫面,顯屋邨商場的建築美學
菱形牽成和諧對稱的視覺畫面,突顯屋邨商場的建築美學/ 建生邨商場算是「中庭式」(Atrium Type)商場的一大代表。商場以粉紅式的菱形和三角形作主為線條,構成了一個和諧和對稱的中庭空間,這裡看到的建築美學比現有很多大型商場都來得優美。而據說紅調的設計是呼應原址舊有的紅磚廠。除了商場門外的公共空間外,商場內上層四周都有座位,好讓居民在這休息。可惜的是與恆安邨商場一樣,在門口加建的扶手電梯阻礙了成個商場原有的流動性。值得一提是商場後方與住宅區域連接的連橋:簡潔的圖形、線條,搶眼的粉紅色與藍色,讓你暫時逃到了一個不同的時空。 地區: 屯門 建造年份: 1989 建築類型: 中庭式 樓層: 3 持有公司: 領展 Kin Sang Estate Shopping Centre/ The rhombus forms a harmonious and symmetrical visual picture, highlighting the architectural aesthetics of the estate shopping centres/ It can be called is a representative of the "Atrium Type" shopping centre. Taking pink diamonds and triangles as the main line, they formed a harmonious and symmetrical atrium space. The architectural aesthetics seen here are even more polished than many large shopping malls. Some said that the design of the red tone echoes the old red brick factory on the original site. District: Tuen Mun Year: 1989 Typology: Atrium Floor: 2 Ownership: LINK Reit #香港屋邨 #屋邨商場 #hkshoppingcentre #香港自救 #hongkongshoppingmall #shoppingmall #pops #hongkongestate #estatelife #hkcommunity #廣福邨 #hkdevelopment #hkarchitecture
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